
The more I thought about what the tour guide said…the more it made sense. It was sort of like that old phrase about not seeing the forest for the trees combined with the one about stopping to smell the roses. It made sense.
Growing up where I did, I was literally a mile or two away from the home of a former U.S. President. Not every town can boast that, right? But when things are that close, you might have a tendency to overlook them. You know they are there, and they lose a bit of that sparkle since it is just another landmark along the daily humdrum drive.
Someone special in my life lives just a few short miles outside of Detroit, Michigan. I took it upon myself to do some investigating and decided to track down the spot of the old Motown studio. Knowing Detroit as I do…I was chancing that it would be in or around some rather suspect sections of town. Like many of the larger metro areas around the country…the inner city is in decay. I found this gem tucked away and decided…it would be fun to see a piece of music history. Much to my surprise, she had never visited this landmark, so I figured it was time the local girl made good. On a brisk yet clear autumn day, we did venture into downtown Detroit to find the building that was responsible for such classics as “My Girl” and “Baby Love”, and “Reach Out (I'll Be There)” among countless others.

Let it never be said that I don’t have appreciation for all styles of music. I have my clear favorites (as anyone does), but I also have a great love for the era of the 1960’s. The turbulent decade was a turning point in our culture…and it lead to some of the most enduring bits of music, film, and history. So while I might prefer The Who or Led Zeppelin…I enjoy a good chunk of the Motown sound.
Since this particular building (more commonly referred to as Hitsville U.S.A.) hasn’t really served as a recording stop or functioning studio since 1972, it is most certainly far from the way it all was back in the day. However, much of the guts inside do remain intact. The ragged recording booth and studio itself remain relatively unchanged. To preserve the integrity of the building and protect it from the thousands that may pass through its doors every year, things have been roped off and arranged in a more “museum like” fashion, but you get the idea. Keep in mind this is all contained in two attached houses that were probably built in the 1930’s sometime. Spacious this ain’t.
Adorned on the walls in an upstairs room are various pictures of the labels artists, original album artwork, a couple props (including the Michael Jackson glove used during his game changing “Motown 25” performance), and countless photos documenting the rise of this empire. It all began in 1959 with a family loan for $800.00.
There were (and are) a lot of things going through my head while I was (and am) thinking about this whole place and what it represents. In a way I sort of long for the time when places like this were the pinnacle of success. Somewhere to go, to network, to hone a craft, and create something organic, real, and honest. Gone are the days when a studio is even needed really. Now a simple Line 6 and a laptop…and the world is at your command. I suppose that prospect can be exciting too, but it seems too simple and easy. At Hitsville you had to earn the right to walk though the door. Once inside…you better make sure you brought the “A game”.
It was also sort of humbling to imagine the wealth of talent in such a relatively small geographic area. The who’s who of artists and groups that began there and left such a lasting mark is nothing sort of amazing. At the same time…I knew all about how it was part of the deal to attend charm school, learn the dance routine, and try to present the slick professional front to the American public. I also was well aware that the house band (The Funk Brothers) stayed in place while a rotating cast of voices stopped by in front of the golden microphone. So in some ways…it was bit prefab…yet still real if such a thing is possible.
As I drove away from the building, I stopped and thought about all the magic that was there all those years ago. So much has changed in the 50 years since this place started to grow. In that time we have gone from being afraid to have an Afro American on an album cover to having one in the White House. We have gone from the excitement of hearing the latest 3 minute gem from a new artist to being overwhelmed with downloads, MP3’s, 30 second samples, and the death of the singles chart all together. We have also gone from a nation of internal strife to…well…still being one on the brink.
But when I do think of those songs…most of them hold out a candle of hope. They make the toes tap, and they are so good at bringing a smile to almost everyone’s face. And can’t we all use that from time to time?
I’m glad I had the chance to walk though those buildings. In one moment it was sad to see the glory of days gone by, but in the next it made me feel like if a little hard work mixed with honesty and integrity is used properly, almost anything is possible. Sure it was/is a business, but it was/is the business of making people dance, smile, sing, and most of all…happy.
Hats off to Motown…
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